Although it was almost extinct ten years ago, instant photo printing is back in force. These are the best instant cameras you can buy and our favorite instant printer. .
This optical arms race poses a problem for compact cameras. After all, why buy one when your next smartphone could surpass it? The film factories are in a difficult situation here. Sometimes the only way to win is to play a different game.
That's where the Sony RX 100 VI comes in. It feels custom designed to do everything your smartphone camera can not and will not be likely to do in the future. I found myself using the RX 100 VI more often than my smartphone and sometimes more often than a more powerful full frame camera like the Sony Alpha 7III. At $ 1,200, it's expensive, but it does a great job to carve out a new niche and integrate into your day-to-day life.
Despite its size, the Sony RX 100 VI has a quality lens. Like most compact zoom and super-zoom cameras, the lens collapses into the case when not in use, allowing the entire camera to slip into a pocket. It's easy to wear, even in the shallow pockets of my jegging. Which makes the optics even more impressive.
With a 20-megapixel CMOS sensor and a 24mm-200mm zoom lens, it can capture a very wide angle and absorb any detail or zoom beyond the telephoto range of your smartphone.
Speaking of smartphones, Apple and Google both rely on software to get the very contrasted depth of field effects you see in portrait mode on iPhone and Pixel smartphones. But neither one nor the other actually reaches the depth of field behind closed doors. For this you need a large aperture (the RX 100 VI opens up to 2.8) and a certain distance between the lens and the sensor.
Smartphones link the lens and the sensor so that their profiles are as thin as possible. This means that even if a phone camera has a comparable aperture (the Pixel and iPhone lenses are both 1.8), it can not achieve a comparable depth of field without a software trick. Even the best photos in portrait mode can not compare to real bokeh (melting media) produced in camera.
The telephoto end of the RX 100 VI is also impressive and Sony has a secret weapon to help: Optical SteadyShot.
Whenever you zoom in, the stability becomes super important. At 200mm, even small involuntary movements can affect the quality of the picture. Optical SteadyShot works when shooting long distance or in low light. It tries to keep your photos clean and sharp by adjusting the elements of the lens to counteract these small involuntary movements. The SteadyShot blends well with the built-in autofocus system, which is as fast and reliable (though less sensitive) than the high-end siblings of the Sony Alpha range of the RX 100 VI.
Image stabilization is also useful when shooting video. This camera is perfect for recording video in 1080p (HD). The rear screen flips 90 degrees up or down so you can see the rear screen even with the camera pointed at you. The screen is bright, colorful and tactile, which makes it easy to adjust the settings.
There is no outlet for an external microphone, which is an unfortunate omission. The built-in microphone is not a problem, but you capture a lot of background noise if you're shooting in a noisy or windy environment.
The RX 100 VI can record 4K videos at 30 frames per second, but if you do not reduce the quality to 1080p, it overheats after about five minutes of shooting. This is not unusual for cameras of this size that shoot at such high resolution, but this should be taken into account if you want to shoot a lot of UHD videos.
You may encounter difficulties when you learn to use the RX 100 VI. The controls are easy to understand, but the small size of the RX 100 VI is a hindrance. It can be difficult to get a good grip on the camera body while taking a picture or manipulating settings and controls.
I often used the built-in electronic viewfinder when shooting or in crowds, partly because it was safer to keep the camera close to my face than to tilt it. to the outside at chest height. Even with a strap, it seemed like the slightest jolt a passer would send the RX 100 VI to crash to the ground. On the other hand, the onboard electronic viewfinder (EVF) is very neat and easily hides in the body of the RX 100. Just snap it to tidy up and press a button for the ride up. The built-in flash works the same way.
The flash is usable, but I chose to take a picture with Night Sight on my Google Pixel 2 XL rather than using the flash. This is one of the areas in which the RX 100 VI is not comparable to a smartphone camera. Nowadays, most smartphones offer great low light performance and easily surpass what you would get from something like the RX 100 VI.
In low light, the RX 100 VI worked well as long as I zoomed in. Indeed, when you zoom in, the aperture decreases, which limits the amount of light detected by the sensor. This forces the camera to compensate by increasing the ISO (making the photo more grainy) and lowering the shutter speed (possibly making the picture more blurred). If you're filming indoors in a dimly lit bar or outside streetlights at night, just use your smartphone.
The RX 100 VI is a fantastic point-and-shoot camera. It creates a niche by offering a creamy bokeh in still images, strong telephoto performance and excellent video quality, all in a package that is not much bigger than two smartphones stacked together. But it has disadvantages, namely low light performance and adhesion.
If you're looking for a travel camera or a daily shooter that can fit in your pocket, the RX 100 VI is a killing choice. But at $ 1,200, it's not cheap.
. (tagsToTranslate) Shopping (t) camera (t) reviews (t) Sony</pre></pre>
Want a selfie next to a waterfall? How about a selfie in at the waterfall? Even if you only want to photograph the kids playing in the pool this summer, the camera on your smartphone, as versatile as it may be, may not live to tell the story.
These situations are exactly where the new Olympus Tough TG-6 the camera is prospering.
Olympus is no stranger to rugged cameras. We have been use and abuse of various models of the TG line for years now. The latest is the TG-6, which brings incremental updates welcome to the success of the TG-5.
TG-6 seems almost identical to TG-5 (available in red or black). It fits well in the pocket and in the hand, even if the buttons are rather small. More important for this type of camera, the TG-6 offers the same indestructible body as its predecessors. There are limits, but the TG-6 is generally resistant to frost, crushing, dust and shock (you can drop it 7 feet).
To achieve this level of sealed serenity, Olympus uses an all-metal body and double latches on each of the camera's two hatches. The double latches make it easy to replace the battery or the cable connection, but they give more assurance that the hatch will not open when you accidentally hit the TG-6 on the hull of the car. wreck in which you dive.
The same body design also means that the TG-6 will work with all existing TG-5 enclosures and accessories. (On the other hand, this means that the TG-5 should work with the new accessories as well as those in a moment.)
The TG-6 uses the same fast f / 2.0 lens with 4X optical zoom (25mm to 100mm) as the TG-5. It is also equipped with the same 12 megapixel sensor, which produces very high quality images for a camera "aim and photograph". TG-6 adds an anti-reflective coating to the glass surrounding the sensor, helping to reduce glare and ghosting.
The most important and most appreciated change of the TG-6 is the significantly improved resolution of the rear LCD panel. The screen goes from 460,000 points on the TG-5 to over a million on the TG-6. The extra sharpness makes it easier to see the images you are looking under the water. On the other hand, Olympus has not improved the protective glass that covers the LCD screen. It is always possible to easily eliminate scratches, a problem that weighs on this device otherwise difficult for several versions.
If you're using the TG-6 underwater, new white balance modes will help you capture better colors. The new modes help snapshots, but if you're serious about underwater photography, you'll want to take full advantage of it. waterproof case (he passes the depth of the TG-6 from 15 to 45 meters) and the external flash.
The Olympus TG range is still touted with impressive macro capabilities for a compact camera. The TG-6 builds on this foundation by providing macro-controls to the program and aperture priority modes. This is one thing that can entice TG-5 owners to upgrade.
The TG-6 uses the same focus stack as in other Olympus models, which is convenient for macro photography. Stacking Focus occurs when a camera takes multiple exposures at slightly different focus points, then combines them to increase the depth of field, which must be lacking in the shots. macro view. If you have ever seen an insect in close-up and the whole body was clean, there is a good chance that the stacking will focus.
The TG-6 has some features that you will not find elsewhere, such as a built-in compass, a thermometer, a pressure gauge and an accelerometer. The camera tracks the location and associates all other sensor data with your images via an app. This way, you can not only know where this reef kick came from, but also how hot the water was, how deep you were, and more.
The quality of the images coming out of the TG-6 is a sensor for the small sensor that it contains. The TG-6's sensor is pretty much the same as the one you'll find in the best smartphones. The colors are well balanced and the images are sharp. In my opinion, Olympus uses too much noise reduction in its JPG files, but you can reduce it in the settings or just take RAW photos and reduce the noise in a photo editor.
The TG-6 can record 4K / 30p and 1080p video at 60 frames per second, although video capture is still limited because there is no microphone or headphone jack.
The most delicate thing about Olympus is how to use it. The menu system is good, but it is not clear how to access certain menus. The only way for me to change the shooting format to RAW was to simultaneously press Menu and OK, which opens a menu to choose the format and capture mode. I did not understand it myself either. First, I spent nearly an hour reading the manual and manipulating menus and modes. When I did not find any results, I turned to the Internet and finally found the answer in the forum posts of users just as frustrated.
This is not to say that TG-6 is difficult to use; that's not it. Olympus simply does not document the capabilities of the camera or how to release them. If you want to make the most of the TG-6, it's worth doing a little research yourself.
There are some useful accessories. The case under water, which extends the depth to 45 meters, is new. There is also a new fisheye lens for circular fisheye images. There is even a new silicone jacket if you do not want the complete case.
The TG line has long had additional lens options as a fisheye lens, which fits on the front of the lens and extends the field of view to 105 degrees. This is not as wide as for GoPro, but it is useful under water, where the natural magnification of shooting in the water effectively reduces your field of view. If you want to go in the other direction, there is also a telephoto fixation which extends the zoom to 170 mm (35 mm equivalent).
All accessories make the TG-6 much more than just a rugged device. The costs can add up if you want a complete kit, but it's still a lot cheaper than diving into the world of digital SLRs. If you want beautiful underwater images without the clash of a digital SLR sticker, the TG-6 will not disappoint you.
. (tagsToTranslate) Shopping (t) camera (t) review</pre></pre>
The Alpha A7II is my photographer companion for years. It is small enough to be carried in a messenger bag and sturdy enough to serve as the main camera in just about any lighting environment, including street shooting at a time. Portland signature shower (with a waterproof lens, of course), or the ground cover of the disputed political protests. It is a workhorse of a camera that I wholeheartedly recommend to any chance I have. That's why it's so exciting to see the brave A7II also cheap.
For $ 998, the A7II is a good deal. I should note that it may not be on sale as much as its reduced. The price has fluctuated this spring, while various retailers have begun to make room for the A7III and other products, which is why it is a good time to buy. The A7II is still a murderous camera; he is only four and a half years old. With many of the same flagship features that have made the A7III such a successful image stabilization, an autofocus on the eyes, an incredible sensitivity to dim light, the A7II still resists his brother newer and more expensive, even if he starts to appear his age. Also be aware that this set comes with the camera case and a versatile starter lens that you can mount.
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I love this little guy, but take a step back to have a complete picture.
CABLE: With a 24.3-megapixel full-frame CMOS sensor, the shutter speed is set to 1/8000 second and the ISO goes down to 100 for the brightest day or up. At 25,600 for the darkest night, the Alpha A7II is still a very capable camera body. It produces sharp and succulent images, even in very low light conditions. Autofocus is sharp and fast, with 142 phase and contrast detection points to detect contours and ensure that your subject is in focus, as well as support for the photographer's best friend, autofocus. At the touch of a button, the A7II can find an eye and focus on it, creating crisp, live portraits. It's essential to capture candid moments during a photo shoot.
The Sony Alpha A7II also has many features that have made the most recent, more expensive A7III such a success. In particular, it has integrated five-axis stabilization directly on the image sensor. This gives you the best stability in your category and fewer unstable shots without having to use lenses with built-in stabilization systems. This means that Sony E-mount lenses for your A7II may be smaller, lighter, and have fewer moving parts. The A7II also incorporates NFC coupling and the Wi-Fi features we are used to with modern cameras.
Tired: These are not all good news for the A7II. There is no way around his age; it debuted in December 2014. It's not so long ago, but that's one thing to consider, as it means you're missing out on some key features that could be decisive. The Alpha A7II absolutely devours Battery. On a single charge, a Sony brand battery will last only two hours of continuous shooting, about 300 photos. This may seem like a lot, but the A7III has enough energy efficiency to double those numbers. If you buy for work, it's the difference between carrying two batteries for a big event and carrying four to six.
In addition, the A7II has only one integrated SD card slot, compared to the two slots you usually see on professional cameras. With an additional SD card slot, you get an integrated backup that is a necessity for working professionals, especially if you have already experienced the existential fear of losing an entire picture of a card in corrupted data. Finally, the A7II can not record 4K video, which is likely to be a stopping point for your videographers.
. (tagsToTranslate) cameras (t) Sony (t) sale (s) Offers (t) Shopping</pre></pre>
One of the most determining factors of image quality is the size of the camera sensor: the chip that captures the light that passes through the lens. The iPhone XS Max, which has the best camera of all Apple phones, uses a sensor more than 20 times smaller than the chip of a full-size professional-quality camera. This much larger sensor offers you a visibly higher dynamic range – the ability to retain detail in the brightest and darkest subjects – as well as better-looking images in low light and a blur in the background. more important shot for portraits.
Plus, with a camera with interchangeable lenses, you can choose the right lens, whether it's a telephoto lens for distant action or a primary lens for spectacular portraits . With a smartphone, you are limited by the physical limitations of the tiny pieces of plastic, glass, and metal that are sealed in the camera module at the factory.
And do not worry about missing those unstable moments on Instagram. Modern cameras will wirelessly transfer photos to your phone in seconds, so you can easily share your best photos on social media.
The professional standard for cameras is: the sensor is the size of a 35mm film. There have never been so many full frame mirrorless cameras on the market today, and the price-quality ratio is better than ever. Consider this: In 2005, Canon set a low-cost record for a full-frame camera with the 5D format from $ 3,300 to 12.8 megapixels. The full frame cameras you can buy today are much better and start at about a third of that cost.
Until a few years ago, most professional and amateur cameras were DSLRs or single-lens digital SLRs. They combined a digital sensor with the same optics and mechanisms as film cameras: you look in an optical viewfinder, an inverted perspective that uses a mirror to see the lens and when you press the shutter, the mirror moves to expose to the sensor instead of a movie segment.
At the same time, the mirrorless cameras, the swivel mirror and the optical viewfinder continued to gain popularity and evolve in terms of capabilities. Mirrorless cameras have some advantages over digital SLRs.
First, because they do not rely on the small periscope mechanism to transmit an image to the viewfinder, they use electronic viewfinders. They look like tiny TV screens. They are therefore easier to use in the dark. They also serve as a head-up display for current settings or information about the scene you are capturing. Getting rid of the mirror and, by extension, the mechanism that moves the mirror when you press the shutter button, gives you a head start in other areas. On the one hand, you can take photos silently, just press the button and capture an image without a mechanical "shutter sound". The lack of mechanical process also means that you can take photos faster, often in increments of 10 or more per second. Finally, autofocus is faster in non-mirror cameras.
Sony introduced the first full-frame mirrorless camera in 2013. Many purists have opted for their Canon and Nikon DSLRs. their main reason was that they already had a wide range of lenses for these devices, and that Sony only had a few at the time. However, Sony's full-mount lens range has expanded over the years and third-party lens manufacturers have enriched these offerings. Sony now has the largest selection of native and compatible lenses for its full frame mirrorless cameras. In recent months, Nikon, Canon and Panasonic have entered the mirrorless device market in full screen mode. Even though customers who purchase these cameras can not connect their old DSLR lenses that they have spent years collecting without using an adapter, the technology has finally become undeniable.
I've taken a concrete look at some of the best full frame mirrorless cameras in the market, the Sony a7III, Canon EOS R and Nikon Z6, to help you understand all the benefits of putting at the level. (Other new models, such as the Panasonic Lumix S1, were not ready to be tested at the time of writing these lines.) I will explain how the new systems work with what you have already and which system will offer you the most flexibility. for the future. Each of these cameras is brilliant and capable of producing excellent images. For me, the pros and cons come down to more differences and physical features than technical performance.
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Sony has been the pioneer of full frame mirrorless photography and the company offers the widest range of lenses available. Starting at less than $ 2,000, the A7III is Sony's best full-frame value. It uses Sony E-Mount lenses, which will also work with Sony NEX and a6000 cameras. The autofocus of the A7III is extremely fast and accurate, with a system that follows the eyes of your subjects to ensure the sharpness of their faces. Sony has had three generations to solve the problems of its mirrorless camera, compared to the first generation offers of Canon and Nikon. It takes perfect pictures in automatic mode, the menus are refined and the pairing with a smartphone is a breeze.
A minor flat was that I could not watch the LCD screen at the back of the camera with polarized sunglasses, and the resolution of the electronic viewfinder was significantly lower than that of the other two devices that I have tested. Image stabilization on the 5-axis body allows you to get crisp, blurry shots with any lens and even take pictures with low light with fast speeds. shutter slower without the help of a stabilizer tripod. Dual card slots mean that if you only capture one moment and your card fails, you already have a backup.
Of the three cameras I've used, the EOS R has been the benchmark in design. I enjoyed the solid metal click of the on-off switch and the connection points of the recessed wrist strap, which I found superior to the metal grommets hanging from the fingers that protruded from the other two cameras. (The exception to R's intuitive design was the multi-function touchpad, which I had ignored.) Unlike DSLRs that feature mirrors protecting the sensors most of the time, the mirrorless camera sensors are exposed to the elements each time you change lenses. This is not the case with the R-when changing lens, a sensor cover automatically switches to protect the sensor from dust and other damage; none of the other two cameras had this feature.
When I was holding it, the EOS R did not seem much smaller than a DSLR. R-mount lenses were larger than most of its Canon DSLR equivalents. A $ 99 adapter will allow you to attach your old Canon lens. The R is the only camera I've tested with a rotating LCD screen facing each other, which is useful for vlogging or if you need to see yourself while shooting. However, when recording 4K video, the R cuts the image of about 35%.
As a result of my tests, I found that the Z6 offered the best combination of performance, functionality and design. It did not outperform the A7III, but its LCD screen and viewfinder are better than Sony's and its image is more consistent than that of the EOS R. The size of the camera is comfortable in large or small little hands. well proportioned to the compact body. If you have old Nikon F-mount lenses designed for Nikon DSLRs, you can use a 250 USD adapter to mount them on the Z6. My old Nikon lenses worked great on the Z6, with no noticeable delay in autofocus speed.
Like the Sony, the Nikon has a 5-axis stabilization. Although all three cameras have an LCD touch screen, the Nikon does not allow you to set the focus point of your image by tapping and dragging while looking in the viewfinder. This must be done by joystick on the Z6. It's also a bit cheaper than the others.
. (tagsToTranslate) cameras</pre></pre>